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Monday, September 7, 2026

The Plaka Cat

Back in 2023, I was wandering through Plaka, Athens — narrow streets, painted shutters, and right there on a wooden bench, a white cat with orange patches. Calm as a monk, stretched beside a potted plant, watching the world drift by. I even stopped to pet it, noticing the distinctive mark on its face and coloring that made it unforgettable.

Back home in Malaysia, I watched a few YouTube walking tours of Plaka and smiled when I spotted the very same cat roaming the nearby streets — not just outside the shop where I had met it, but moving through the neighborhood as if it belonged there, a familiar face in a place visited by thousands of strangers.

Recently, while looking through old photos, I was reminded of that cat and decided to Google the shop at Thespidos 2, the very spot where I first saw it. The result? “Permanently closed.” Once a concept store, it has since been replaced by an eyewear boutique. The shelves, the counter, the heart‑shaped ornaments, the bench — gone. But the cat? That’s the part Google can’t tell you.

Maybe it wandered off to another doorway, claimed a new bench, or became a regular at the taverna down the street. Cats in Plaka are like unofficial guardians of the neighborhood — they don’t belong to one shop, they belong to the rhythm of the place.

There’s something poetic about it: businesses open and close, signs fade, shutters lock. Yet the cats remain, padding through centuries of change, curling up wherever life still hums. The shop may have vanished, but the memory of that cat lingers — a reminder that sometimes the soul of a street isn’t in its commerce, but in its creatures.

Wednesday, September 2, 2026

Silent Stories#5

 Statues have a way of finding me. I don't set out to photograph them, yet they appear—in plazas, gardens, and street corners—each with its own silent story. Some are famous, others almost forgotten, but all of them invite a pause. Perhaps they fascinate me because public statues are relatively uncommon back home in Malaysia, so every encounter feels like discovering a small piece of another culture. What began as a simple fascination has become a journey of discovering the stories hidden within these silent works of art. 

Here’s another encounter in my Silent Stories series — statues that found me.

Sean Henry’s Man with Cup — Salisbury Cathedral

  • Artist: Sean Henry (born 1965), a British sculptor known for creating life-sized painted bronze figures that explore identity, human presence, and everyday experiences.
  • Artwork: Man with Cup (2008) is a life-sized painted bronze sculpture depicting an anonymous man standing quietly while holding a simple cup.
  • Medium: The sculpture is made from bronze and hand-painted, a technique Sean Henry uses to give his figures a strikingly lifelike appearance.
  • Exhibition at Salisbury Cathedral: The sculpture was displayed at Salisbury Cathedral as part of Sean Henry’s exhibition “Conflux: A Union of the Sacred and the Anonymous” in 2011.
  • Concept of the exhibition: The exhibition placed contemporary human figures within the medieval cathedral, creating a dialogue between the sacred surroundings of the past and the ordinary lives of people today.
  • The figure: Unlike traditional cathedral sculptures that often depict saints, kings, or biblical figures, Man with Cup represents an everyday, anonymous person — someone who could be any one of us.
  • The cup: The ordinary cup held by the figure contrasts with the grandeur of Salisbury Cathedral, suggesting the importance and dignity of everyday moments.
  • Location significance: Salisbury Cathedral, built in the 13th century, provides a dramatic setting for Henry’s modern sculptures, highlighting the connection between centuries-old spiritual spaces and contemporary human experiences.
  • Silent story: Standing quietly among ancient stone and stained glass, Man with Cup invites visitors to pause and reflect on the unnoticed stories carried by ordinary people.

Sean Henry’s Man with Cup reminds us that even the most ordinary person can become a subject worthy of contemplation.



And the answer to my previous post’s little mystery? — Athens. Some of you were curious, so I won’t keep you guessing. Yes, the mystery photo was taken in Athens, a city in Greece where yellow taxis are part of the everyday landscape.